“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open… No artist is pleased. There is no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”
- Martha Graham
[© MMXII MD TOTAL all rights reserved.]
Sunday, November 18, 2012
Sunday, November 4, 2012
Street Art!
Here is some patriotic street art I was lucky enough to see on South La Brea. Street art is one of my favorite things about living in an urban environment. This one speaks for itself. [click to see full image]
[© MMXII MD TOTAL all rights reserved]
[© MMXII MD TOTAL all rights reserved]
Saturday, November 3, 2012
Love from Louis C.K.
This is a transcript of what Louis C.K. just sent his mailing list from his dressing room at SNL, as he's about to host, in NYC, this week, of all weeks. Reprinted without permission, but shared with all the love Louis intended to spread. Please don't sue me.
Hello. Its louis here. I'm clacking this to you on my phone in my dressing room here at studio 8H, right in 30 rockefeller center, in Manhattan, new york city, new york, america, world, current snapshot of all existence everywhere.
Tonight I'm hosting Saturday Night Live, something I zero ever in my life saw happening to me. And yet here it is completely most probably happening (I mean, ANYTHING could NOT happen. So we'll see).
I've been working here all week with the cast, crew, producers and writers of SNL, and with Lorne Michaels. Such a great and talented group of people.
And here we are in the middle of New York City, which was just slammed by a hurricane, leaving behind so much trouble, so much difficulty and trauma, which everyone here is still dealing with every day.
Last night we shot some pre-tape segments in greenwich Village, which was pitch black dark for blocks and blocks, as it has been for a week now.
Its pretty impossible to describe walking through these city streets in total darkness. It can't even be called a trip through time, because as long as new york has lived, its been lit. By electricity, gas lamps, candlelight, kerosene. But this was pitch black, street after street, corner round corner. And for me, the village being the very place that made me into a comedian and a man, to walk through the heart of it and feel like, in a way, it was dead. I can't tell you how that felt. And you also had a palpable sense that inside each dark window was a family or a student or an artist or an old woman living alone, just being int he dark and waiting for the day to come back. Like we were all having one big sleep over, but not so much fun as that.
This is how a lot of the city is still. I know people in queens, brooklyn, Staten Island, new jersey, all over, are not normal yet. And not normal is hard.
And here at 30 rock, these folks are working so hard this week. There are kids in the studio every day, because members of the crew and staff had to bring them to work. Many people are sharing lodging. Everyone is tired. But there's this feeling here that we've got to put on a great show. I'm sure it feels like that here every week. But wow. I feel really lucky to be sharing this time with these particular good folks here at SNL.
In about 5 hours we'll be going on the air. I'll do a monologue. And we'll show you some sketches that we wrote and try to make you laugh. I'm gonna look really dumb in some of this stuff. But I don't care. Its awfully worth it. And I'm really excited.
Anyway. I just wanted to let you know. If you watch the show tonight, when Don Pardo says my name and you see me walking out, all the shit in this email is what ill be thinking. I'm a pretty lucky guy. I hope you enjoy the show.
Thanks.
Louis C.K.
Live. From new york. Its saturday night.
Hello. Its louis here. I'm clacking this to you on my phone in my dressing room here at studio 8H, right in 30 rockefeller center, in Manhattan, new york city, new york, america, world, current snapshot of all existence everywhere.
Tonight I'm hosting Saturday Night Live, something I zero ever in my life saw happening to me. And yet here it is completely most probably happening (I mean, ANYTHING could NOT happen. So we'll see).
I've been working here all week with the cast, crew, producers and writers of SNL, and with Lorne Michaels. Such a great and talented group of people.
And here we are in the middle of New York City, which was just slammed by a hurricane, leaving behind so much trouble, so much difficulty and trauma, which everyone here is still dealing with every day.
Last night we shot some pre-tape segments in greenwich Village, which was pitch black dark for blocks and blocks, as it has been for a week now.
Its pretty impossible to describe walking through these city streets in total darkness. It can't even be called a trip through time, because as long as new york has lived, its been lit. By electricity, gas lamps, candlelight, kerosene. But this was pitch black, street after street, corner round corner. And for me, the village being the very place that made me into a comedian and a man, to walk through the heart of it and feel like, in a way, it was dead. I can't tell you how that felt. And you also had a palpable sense that inside each dark window was a family or a student or an artist or an old woman living alone, just being int he dark and waiting for the day to come back. Like we were all having one big sleep over, but not so much fun as that.
This is how a lot of the city is still. I know people in queens, brooklyn, Staten Island, new jersey, all over, are not normal yet. And not normal is hard.
And here at 30 rock, these folks are working so hard this week. There are kids in the studio every day, because members of the crew and staff had to bring them to work. Many people are sharing lodging. Everyone is tired. But there's this feeling here that we've got to put on a great show. I'm sure it feels like that here every week. But wow. I feel really lucky to be sharing this time with these particular good folks here at SNL.
In about 5 hours we'll be going on the air. I'll do a monologue. And we'll show you some sketches that we wrote and try to make you laugh. I'm gonna look really dumb in some of this stuff. But I don't care. Its awfully worth it. And I'm really excited.
Anyway. I just wanted to let you know. If you watch the show tonight, when Don Pardo says my name and you see me walking out, all the shit in this email is what ill be thinking. I'm a pretty lucky guy. I hope you enjoy the show.
Thanks.
Louis C.K.
Live. From new york. Its saturday night.
Thursday, October 25, 2012
Too Angry to Be Eloquent
We’re getting to this point right now in the election where I just can’t believe what the hell is going on in this country. A War On Women? You have got to be kidding me! Yet I also am not surprised. If you remember way back in 2008 when I wrote this, I warned that if we were voting against gay rights, that Women’s rights would be next up on the chopping block. And they are.
I urge every person of voting age who doesn’t understand why this is important to think of this: your mother.
Let’s take my mother, for example. As an African-American woman from southwest Georgia, she was the first person in her family to go to college. Out of every single person I’m related to on her side of the family. And nothing was handed to her, ever. In fact, many things were taken away from her and she still “got out.” All thanks to hard work.
As a senior in college, my mom had decided to become an attorney, applied to Emory University and GOT IN. Now not only would she be the first person in my family to go to college, but she would also be the first to go to graduate school. Crazy. Craziness. Then, in late April of her senior year, the unthinkable happened. She got pregnant. As much as I love being here on the planet, and love my existence - even I can understand that the prevailing feeling had to be something like this: “FUCK. FUCK-FUCK-FUCK.” She had a very difficult decision to make, and she decided to keep me.
I have no idea what possessed her to do such a stupid thing.
But I’m glad she did, because this Earth place is pretty much paradise. But, without having any financial base to rely on, you kinda have to wonder what the fuck she was thinking, right? But she did it anyway. And the next September, there she was matriculating at Emory, with an eight month old baby on her hip. If that ain’t real, I just don’t know what is.
And that was just the beginning. For the next two decades, she moved mountains to raise me and make sure I was provided for. And it was in no shape or form easy. Not only provided for, but also fulfilled. I got an excellent education, played sports, made art, performed, did gymnastics, did diving, figure skating, we went to the theater, to movies, to museums, dance concerts and other cultural events to make sure I was exposed to the world at large. On top of that, she took me and picked me up from countless practices and rehearsals all while holding down a full time job as an attorney! Did I mention she was a single mother?
She moved mountains.
While my mother is amazing, she is not alone. Women move mountains all the time. How could we deny these women who quite legitimately pull off the impossible every day the rights to their own bodies? And some of these reproductive rights help prevent cancers! And you know what, when you look at the numbers objectively, men don’t look too good. Yes, I know this isn’t all men, but let’s get real: men fall asleep on the couch. Men don’t move mountains, MEN FUCKING LEAVE. And that’s just a casual, objective assessment of the numbers! And this has been happening for centuries.
A lot of conservatives tend to point out that I’m only here on this planet because my mother didn’t have an abortion. But that’s not completely true; I’m only here on this planet because my mother had a choice.
Women are amazing. If men had to be pregnant, let’s face it – the human race would die off. Period.
I urge you to think about this when you vote. Think about your mother, your sister, your wife and your daughters. Can you look them in the eye and tell them that they don’t deserve to be in control of their own bodies the same way you are? That they don’t deserve medical care that helps prevent cancers? If you are religious and having a difficult time with this, I urge you to get down on your knees and ask God to honestly tell you what to do. I don’t believe the response would be to treat any other of his creatures as less-than.
And we have to do this NOW, at this election. We have run out of time to be passive. Yes, it happens to be the right, moral thing to do. But most importantly, we should keep this in mind when voting for two reasons:
1. They deserve it.
2. We owe them.
[© MMXII MD TOTAL all rights reserved]
I urge every person of voting age who doesn’t understand why this is important to think of this: your mother.
Let’s take my mother, for example. As an African-American woman from southwest Georgia, she was the first person in her family to go to college. Out of every single person I’m related to on her side of the family. And nothing was handed to her, ever. In fact, many things were taken away from her and she still “got out.” All thanks to hard work.
As a senior in college, my mom had decided to become an attorney, applied to Emory University and GOT IN. Now not only would she be the first person in my family to go to college, but she would also be the first to go to graduate school. Crazy. Craziness. Then, in late April of her senior year, the unthinkable happened. She got pregnant. As much as I love being here on the planet, and love my existence - even I can understand that the prevailing feeling had to be something like this: “FUCK. FUCK-FUCK-FUCK.” She had a very difficult decision to make, and she decided to keep me.
I have no idea what possessed her to do such a stupid thing.
But I’m glad she did, because this Earth place is pretty much paradise. But, without having any financial base to rely on, you kinda have to wonder what the fuck she was thinking, right? But she did it anyway. And the next September, there she was matriculating at Emory, with an eight month old baby on her hip. If that ain’t real, I just don’t know what is.
And that was just the beginning. For the next two decades, she moved mountains to raise me and make sure I was provided for. And it was in no shape or form easy. Not only provided for, but also fulfilled. I got an excellent education, played sports, made art, performed, did gymnastics, did diving, figure skating, we went to the theater, to movies, to museums, dance concerts and other cultural events to make sure I was exposed to the world at large. On top of that, she took me and picked me up from countless practices and rehearsals all while holding down a full time job as an attorney! Did I mention she was a single mother?
She moved mountains.
While my mother is amazing, she is not alone. Women move mountains all the time. How could we deny these women who quite legitimately pull off the impossible every day the rights to their own bodies? And some of these reproductive rights help prevent cancers! And you know what, when you look at the numbers objectively, men don’t look too good. Yes, I know this isn’t all men, but let’s get real: men fall asleep on the couch. Men don’t move mountains, MEN FUCKING LEAVE. And that’s just a casual, objective assessment of the numbers! And this has been happening for centuries.
A lot of conservatives tend to point out that I’m only here on this planet because my mother didn’t have an abortion. But that’s not completely true; I’m only here on this planet because my mother had a choice.
Women are amazing. If men had to be pregnant, let’s face it – the human race would die off. Period.
I urge you to think about this when you vote. Think about your mother, your sister, your wife and your daughters. Can you look them in the eye and tell them that they don’t deserve to be in control of their own bodies the same way you are? That they don’t deserve medical care that helps prevent cancers? If you are religious and having a difficult time with this, I urge you to get down on your knees and ask God to honestly tell you what to do. I don’t believe the response would be to treat any other of his creatures as less-than.
And we have to do this NOW, at this election. We have run out of time to be passive. Yes, it happens to be the right, moral thing to do. But most importantly, we should keep this in mind when voting for two reasons:
1. They deserve it.
2. We owe them.
[© MMXII MD TOTAL all rights reserved]
Labels:
Equality,
Equality for Everyone,
Parla Come Magni
Sunday, October 21, 2012
Settle Down
It's a gorgeous October Sunday that feels like fall on the east coast, which is beyond rare in LA. I find myself staring into my full refrigerator trying to figure out what to make for lunch. It is full, though none of it is appealing. There's something about the weather that makes me want to drive. And just like that: soup! Perfect.
I hop in the car and am immediately annoyed, which is not rare in LA. People; drivers, pedestrians, and cyclists, seem to be making extra stupid, life-threatening decisions. I hear myself say "What the hell is going on," and realize it's the third time I've said that phrase in as many minutes.
At the store, I am astounded by how inconsiderate the other shoppers are. WHY would you leave your shopping cart in an aisle perpendicular-style? WHY would you back your cart out of an aisle without looking and into other shoppers, knocking them over? WHY would you bring toddlers into the store?!
But seriously, two guys completely shut down the self-checkout when they took the services of the employee when their incompetence put not one, but two - TWO of said terminals out of service.
I just don't think they understand the concept of self-checkout.
As I was waiting, listening to the other people in line making snide comments and giggling out of understanding, I was reminded of something that happened to me in the Wendy's drive thru a few weeks ago.
As I was turning into the parking lot, thinking about glorious melty cheese, the car in front of me wouldn't move. There was a truck stopped in front of the car, but there was more than plenty of room to move around. But the car wouldn't move. I sat there for a good thirty seconds with half my car in the street and half of it in the driveway, which was just enough to stop traffic in both directions. So I did the unthinkable: I honked.
Yet the car wouldn't move. So I honked again.
And just like that, the car finally moved and ordered. After I ordered and was waiting to pay, I noticed that the driver in front of me saw me in her mirror, unbuckled her seat belt, fully got out of her car and proceeded to yell at me.
"You are SO IMPATIENT!! Your life must be so miserable if you cannot wait a few seconds for me to move!!! Do you feel better by honking????!" There was such rage on her face and in her voice. For the first time in my life, I knew exactly what to say to her and I knew she had it coming. Instead I just listened; I waited her out. She paused then gave me the most peculiar look, turned around and got back into her car.
Just as I remembered that, the line at the self-checkout moved and things made sense. It seemed as if the more impatient I was, the more there was to be impatient about. I felt this overwhelming feeling, this presence, suggesting I be patient. And breathe. Even though that woman in the drive thru was being crazy, even though grocery shoppers are inconsiderate and seem to hate using their brains, even though screaming toddlers have meltdowns in the store, and some shoppers really have no business in the self-checkout EVEN THOUGH IT IS COMPLETELY SIMPLE IF YOU'VE EVER BEEN TO ANY STORE IN YOUR LIFE, JUST SCAN THE DAMN ITEMS AND PAY!
Even with the ridiculousness, just be patient. Maybe especially, even.
I wondered – have I ever actually been legitimately patient before? I’ve been silent, sure. I’ve definitely waited without whining. But patient…? Even waiting without aggression isn’t the same as patience.
As I drove home I felt a lightness that made flowers look brighter and an already beautiful sky more spectacular. And I understood that for me to get to where it is I'm going - which is for me to know and for you to find out - patience would have to win out. Otherwise, I might just be creating more to be impatient about.
But more than anything, I felt an overwhelming sense of love.
Ready to have your MIND BLOWD? Check out PART DEUX!
© MMXII MD TOTAL [all rights reserved]
I hop in the car and am immediately annoyed, which is not rare in LA. People; drivers, pedestrians, and cyclists, seem to be making extra stupid, life-threatening decisions. I hear myself say "What the hell is going on," and realize it's the third time I've said that phrase in as many minutes.
At the store, I am astounded by how inconsiderate the other shoppers are. WHY would you leave your shopping cart in an aisle perpendicular-style? WHY would you back your cart out of an aisle without looking and into other shoppers, knocking them over? WHY would you bring toddlers into the store?!
But seriously, two guys completely shut down the self-checkout when they took the services of the employee when their incompetence put not one, but two - TWO of said terminals out of service.
I just don't think they understand the concept of self-checkout.
As I was waiting, listening to the other people in line making snide comments and giggling out of understanding, I was reminded of something that happened to me in the Wendy's drive thru a few weeks ago.
As I was turning into the parking lot, thinking about glorious melty cheese, the car in front of me wouldn't move. There was a truck stopped in front of the car, but there was more than plenty of room to move around. But the car wouldn't move. I sat there for a good thirty seconds with half my car in the street and half of it in the driveway, which was just enough to stop traffic in both directions. So I did the unthinkable: I honked.
Yet the car wouldn't move. So I honked again.
And just like that, the car finally moved and ordered. After I ordered and was waiting to pay, I noticed that the driver in front of me saw me in her mirror, unbuckled her seat belt, fully got out of her car and proceeded to yell at me.
"You are SO IMPATIENT!! Your life must be so miserable if you cannot wait a few seconds for me to move!!! Do you feel better by honking????!" There was such rage on her face and in her voice. For the first time in my life, I knew exactly what to say to her and I knew she had it coming. Instead I just listened; I waited her out. She paused then gave me the most peculiar look, turned around and got back into her car.
Just as I remembered that, the line at the self-checkout moved and things made sense. It seemed as if the more impatient I was, the more there was to be impatient about. I felt this overwhelming feeling, this presence, suggesting I be patient. And breathe. Even though that woman in the drive thru was being crazy, even though grocery shoppers are inconsiderate and seem to hate using their brains, even though screaming toddlers have meltdowns in the store, and some shoppers really have no business in the self-checkout EVEN THOUGH IT IS COMPLETELY SIMPLE IF YOU'VE EVER BEEN TO ANY STORE IN YOUR LIFE, JUST SCAN THE DAMN ITEMS AND PAY!
Even with the ridiculousness, just be patient. Maybe especially, even.
I wondered – have I ever actually been legitimately patient before? I’ve been silent, sure. I’ve definitely waited without whining. But patient…? Even waiting without aggression isn’t the same as patience.
As I drove home I felt a lightness that made flowers look brighter and an already beautiful sky more spectacular. And I understood that for me to get to where it is I'm going - which is for me to know and for you to find out - patience would have to win out. Otherwise, I might just be creating more to be impatient about.
But more than anything, I felt an overwhelming sense of love.
Ready to have your MIND BLOWD? Check out PART DEUX!
© MMXII MD TOTAL [all rights reserved]
Labels:
LOVE,
meditation,
music,
patience,
transcendence
Friday, June 29, 2012
The Way To Think.
"It's like football, really. You American actors refuse to run unless you have this 'ball of truth' tucked firmly within your arms, whereas we Brits run as fast as we can and hope to God someone throws us the ball."
- Laurence Olivier to Anthony Quinn during the stage version of BECKET.
[© MMXII MD TOTAL all rights reserved]
Thursday, June 21, 2012
Great EDM Tracks to start off your summer!
I don't know about you guys, but I LOVE electronic dance music - or EDM as we've been calling it lately. There's something about EDM in comparison to other types of dance music that just feels transcendant. And that feeling is exactly what we need on the dancefloor - and in life - I'm telling you. Now, there's a couple of things to say about EDM before we get to the tracks. Remember how Disco died? Well, it didn't. We just renamed it. And if you really look back, you can see how we've always brought it along since the 70s.
One of the coolest things about Donna Summer's music is that it was far more groundbreaking than most give credit for. Her hit "I Feel Love," is the beginning of EDM. You can hear immediately that it's different from other disco music of the time. Give it a spin while you read this to get your head in the right space. After disco "died," the same techniques and song structures were being used in other genres. Two of the best examples of this are David Bowie's "Let's Dance," (note the latin percussion, the horns and the bass line) and INXS' "New Sensation," (I mean that guitar riff is nothing if it ain't DISCO). As we moved through the 80s, a new genre called house music began to take over underground clubs. And it never left. Thank god.
Now, EDM is beginning to take over pop radio and with good reason. It feels AWESOME. It's also worth mentioning that the way the American mainstream is discovering EDM right now is the way it's been in Europe for quite some time. Rave culture started in Europe in the 80s and never really left. America has flirted with it here and there (Daft Punk, Kylie, and Madonna in general), but we've arrived at a tipping point. I can't say where we're going to go, but I hope America stays in love with EDM. Not as the only genre we listen to, but as something we always listen to. EDM deserves to be here because we will always need to DANCE.
I've made a list of some tracks that I'm feeling right now, and if you wanna hear me talk about the tracks, I go into further detail after that. Have fun. Eat candy. And for the love of all that's holy, play them LOUD. EDM is meant to be heard LOUD.
1. "Raise Your Weapon [Madeon Extended Remix]" Deadmau5, Raise Your Weapon Remixes
2. "I'm Addicted" Madonna, MDNA
3. "Where Have You Been?" Rihanna, Talk That Talk
4. "Titanium" David Guetta ft. Sia, Nothing But the Beat
5. "Levels" Avicii, Levels single
6. "Save the World" Swedish House Mafia, Save The World single
7. "Take Over Control" Afrojack ft. Eva Simons, Take Over Control single
8. "Timebomb" Kylie Minogue, Timebomb single
9. "In the Air" Mogan Page + Sultan + Ned Shepard + BT, In the Air single
"Raise Your Weapon [Madeon Extended remix]" Deadmau5, Raise Your Weapon single
It's important to recognize here this remix is very different from production of the original track, which is dubstep. Madeon's softened grooves are quite literally the opposite of dubstep's staccato. Madeon, being 17 years old and French, counts Daft Punk as serious influences, and it's audible. For some reason, it sounds they way I expected nightclubs to feel like when I was a little kid in the 80s. It's massively uplifting and extremely danceable. Listen to it and see if you immediately want to hear it again. Pay attention to the playoff. It's the producer saying "I know you're loving this song and you don't want it to end so I'm going to give you a minute of me killing it instrumentally to get you used to the idea that it's almost over."
Madeon deserves to be mentioned again here, just because of this live mashup he played, which is called Pop Culture. It's inspiring, to say the least. He plays that damn Launchpad like an instrument! I also love how so many other tracks I love are presented in high relief - there's 39 songs mashed up in three short minutes.
"I'm Addicted" Madonna, MDNA.
This song sounds like drugs. There's just no way around that - I swear it gets my brain to release dopamine, which is exactly what MDMA does. It nails what the beginning of a crush feels like; that period when you just can't stop thinking about that someone. From the aggressive opening riff, you just know you're about to throw down on the dance floor in a serious way. Madonna has said this was the most difficult song to write on the album, and it's no surprise. The song's structure isn't reinventing the wheel, but it is the rare pop song that continues to feel new as it develops yet you're still able to sing along. This song is something else. It should come as no surprise to anyone who's paid even the slightest attention to music in the last thirty years, electronic dance music is what Madonna has excelled at for her entire career. Yet - this happens to be one of the best dance tracks she's ever recorded. Period.
"Where Have You Been" Rihanna, Talk That Talk.
I'll admit to not loving this song when it was first released, but I feel it's a good example of a song that needed a context for it to find its way into my heart. In this case, it's the song's video. The way the guys kill the choreography stayed with me. A few days later, I heard it in the car and the last dance break kinda stuck out. It was that moment where you're driving and your mind is thinking about something then a portion of the song gets through and you hear it - really hear it - for the first time. And I've loved it ever since. This song has a serious journey - it's a workout. The opening chords are so sweet and soft, but Rihanna's vocal has an urgency that betrays where the song is really going to go. She's a siren; in heat. Then the beat drops in and you know she's serious. From then on, the song goes on like it's driving through a storm and does not let up until the cool down. For me, it's all about that last dance break, through the bridge and the outro. But it wouldn't feel so good if everything that preceded it wasn't awesome.
"Titanium" David Guetta ft. Sia, Nothing But The Beat
David Guetta. Talk about someone who's taken over the genre! I find this track to be more interesting than others of his, it also features vocals by Sia. Is there any artist she's worked with whose work wasn't elevated by her presence? I also love hearing her sing this kind of music, her voice has a quality that is exciting and really fits the drive of the track. It opens with just that guitar riff, similar to the Rihanna track I mentioned, and similarly, it betrays its real motive: a beat. Everything that follows is a throw down JAM OF CELEBRATION. And in case you missed the train during the first verse and chorus, it starts over before the second verse to catch any listeners who might have been lazy. Get on board, it says. Ride.
"Levels" Avicii, Levels single.
This was the first Avicii track I heard, and I first heard it in an episode of the underrated and now cancelled "How to Make it in America." The only lyrics happen to be the same sample that Flo Rida used in his track, "Good Feeling." It's used brilliantly here as well. I mean, in just two phrases you understand the entire song. It's about lifting yourself - whether it be your career or something more personal - to another level. See what I did there? At least that's what I think of. It's funny how just some hand claps can drive a beat, isn't it? It's definitely worth mentioning that Skrillex did a remix...
"Save the World" Swedish House Mafia, Save the World single
Any list that talks about EDM has to include Swedish House Mafia - they are HUGE. This song is actually from last summer, but it still rocks. I love this song's simplicity, there's not really a whole lot of instruments going on. That simplicity is what gives it such a soaring feeling - it's refreshing. Imagine hearing this at a music festival on a hot summer night and having the band use one of those fancy machines that spits tiny ice chips into the air! This song is just meant to be played for a huge crowd, you can feel it. There's also an awesome remix of this song that definitely deserves to be mentioned, but it's best understood once you already know the original.
"Take Over Control" Afrojack, ft. Eva Simons. Take Over Control Single
This track touches on a subject that EDM often touches upon - transcendance. It's easy to guess what the lyrics are referring to when they talk about "taking over control," but there's always what Nile Rodgers calls the deeper hidden meaning. For me, this song is about meditation, or connecting to the universe, or connecting to spirit. It's about taking control over your life, and not just waiting for things to happen to you. And by taking control, by connecting to something larger than yourself, you can finally be all of who you really are. Now, I can see how some would feel like that's a bit of a stretch if there weren't SO MANY dance songs that touch upon this subject. Then when you combine the transcendant chord progressions with the idea of actual transcendance, it's ecstatic. Plug it in and turn me on, indeed!
"Timebomb" Kylie Minogue, Timebomb Single
Now Kylie is just coming off an amazing EDM album, Aphrodite. And since she just finished touring that record last year, I was surprised to find out there was new music. Buit it's just a lead single for a greatest hits. We'll have to be patient, but it's okay - this will tide us over. This track is a POP SONG, and it lets you know it means business from the moment it starts, there's no "let's take it slow and then ramp up" thing goin on here. It gets going. I will admit that when I first heard it, I wasn't sold but I found it fun enough to download for my gym mix. After a couple of listens, I was bumping it ALL THE TIME. Part of that is because it's catchy, but hey - I ain't exactly playing the bad shit that's catchy, now am I? I said earlier that this is a pop song, and I mean it in the best way. It's the best piece of candy I've heard in a while, and it talks about everyone's favorite feeling: meeting someone and becoming interested in them. "It's not the end of the world, it's just the start of me and you." I mean, come ON! Just enjoy the ride, suck on a lollipop and dance around your living room to this tonight.
"In the Air" Mogan Page + Sultan + Ned Shepard + BT, In the Air
This is another track that as soon as it starts, you know they mean bizness. The breathy vocals seem to call to the listener as if they were across a long distance. This track is a great example of a staple of EDM - lyrics that speak of feeling that something is about to change, something so palpable you can feel it. And this gets to the heart of what dance music is about in general, to raise people up. That's what dance is about, letting go of all that's holding you back in your life so you can move forward. And on those magical nights at the club or even in your living room, as you're dancing you are physically getting that tension out of your body and it feels good. That feeling of change is so powerful that you can feel it, In The Air.
[© MMXII MD TOTAL all rights reserved]
One of the coolest things about Donna Summer's music is that it was far more groundbreaking than most give credit for. Her hit "I Feel Love," is the beginning of EDM. You can hear immediately that it's different from other disco music of the time. Give it a spin while you read this to get your head in the right space. After disco "died," the same techniques and song structures were being used in other genres. Two of the best examples of this are David Bowie's "Let's Dance," (note the latin percussion, the horns and the bass line) and INXS' "New Sensation," (I mean that guitar riff is nothing if it ain't DISCO). As we moved through the 80s, a new genre called house music began to take over underground clubs. And it never left. Thank god.
Now, EDM is beginning to take over pop radio and with good reason. It feels AWESOME. It's also worth mentioning that the way the American mainstream is discovering EDM right now is the way it's been in Europe for quite some time. Rave culture started in Europe in the 80s and never really left. America has flirted with it here and there (Daft Punk, Kylie, and Madonna in general), but we've arrived at a tipping point. I can't say where we're going to go, but I hope America stays in love with EDM. Not as the only genre we listen to, but as something we always listen to. EDM deserves to be here because we will always need to DANCE.
I've made a list of some tracks that I'm feeling right now, and if you wanna hear me talk about the tracks, I go into further detail after that. Have fun. Eat candy. And for the love of all that's holy, play them LOUD. EDM is meant to be heard LOUD.
1. "Raise Your Weapon [Madeon Extended Remix]" Deadmau5, Raise Your Weapon Remixes
2. "I'm Addicted" Madonna, MDNA
3. "Where Have You Been?" Rihanna, Talk That Talk
4. "Titanium" David Guetta ft. Sia, Nothing But the Beat
5. "Levels" Avicii, Levels single
6. "Save the World" Swedish House Mafia, Save The World single
7. "Take Over Control" Afrojack ft. Eva Simons, Take Over Control single
8. "Timebomb" Kylie Minogue, Timebomb single
9. "In the Air" Mogan Page + Sultan + Ned Shepard + BT, In the Air single
"Raise Your Weapon [Madeon Extended remix]" Deadmau5, Raise Your Weapon single
It's important to recognize here this remix is very different from production of the original track, which is dubstep. Madeon's softened grooves are quite literally the opposite of dubstep's staccato. Madeon, being 17 years old and French, counts Daft Punk as serious influences, and it's audible. For some reason, it sounds they way I expected nightclubs to feel like when I was a little kid in the 80s. It's massively uplifting and extremely danceable. Listen to it and see if you immediately want to hear it again. Pay attention to the playoff. It's the producer saying "I know you're loving this song and you don't want it to end so I'm going to give you a minute of me killing it instrumentally to get you used to the idea that it's almost over."
Madeon deserves to be mentioned again here, just because of this live mashup he played, which is called Pop Culture. It's inspiring, to say the least. He plays that damn Launchpad like an instrument! I also love how so many other tracks I love are presented in high relief - there's 39 songs mashed up in three short minutes.
"I'm Addicted" Madonna, MDNA.
This song sounds like drugs. There's just no way around that - I swear it gets my brain to release dopamine, which is exactly what MDMA does. It nails what the beginning of a crush feels like; that period when you just can't stop thinking about that someone. From the aggressive opening riff, you just know you're about to throw down on the dance floor in a serious way. Madonna has said this was the most difficult song to write on the album, and it's no surprise. The song's structure isn't reinventing the wheel, but it is the rare pop song that continues to feel new as it develops yet you're still able to sing along. This song is something else. It should come as no surprise to anyone who's paid even the slightest attention to music in the last thirty years, electronic dance music is what Madonna has excelled at for her entire career. Yet - this happens to be one of the best dance tracks she's ever recorded. Period.
"Where Have You Been" Rihanna, Talk That Talk.
I'll admit to not loving this song when it was first released, but I feel it's a good example of a song that needed a context for it to find its way into my heart. In this case, it's the song's video. The way the guys kill the choreography stayed with me. A few days later, I heard it in the car and the last dance break kinda stuck out. It was that moment where you're driving and your mind is thinking about something then a portion of the song gets through and you hear it - really hear it - for the first time. And I've loved it ever since. This song has a serious journey - it's a workout. The opening chords are so sweet and soft, but Rihanna's vocal has an urgency that betrays where the song is really going to go. She's a siren; in heat. Then the beat drops in and you know she's serious. From then on, the song goes on like it's driving through a storm and does not let up until the cool down. For me, it's all about that last dance break, through the bridge and the outro. But it wouldn't feel so good if everything that preceded it wasn't awesome.
"Titanium" David Guetta ft. Sia, Nothing But The Beat
David Guetta. Talk about someone who's taken over the genre! I find this track to be more interesting than others of his, it also features vocals by Sia. Is there any artist she's worked with whose work wasn't elevated by her presence? I also love hearing her sing this kind of music, her voice has a quality that is exciting and really fits the drive of the track. It opens with just that guitar riff, similar to the Rihanna track I mentioned, and similarly, it betrays its real motive: a beat. Everything that follows is a throw down JAM OF CELEBRATION. And in case you missed the train during the first verse and chorus, it starts over before the second verse to catch any listeners who might have been lazy. Get on board, it says. Ride.
"Levels" Avicii, Levels single.
This was the first Avicii track I heard, and I first heard it in an episode of the underrated and now cancelled "How to Make it in America." The only lyrics happen to be the same sample that Flo Rida used in his track, "Good Feeling." It's used brilliantly here as well. I mean, in just two phrases you understand the entire song. It's about lifting yourself - whether it be your career or something more personal - to another level. See what I did there? At least that's what I think of. It's funny how just some hand claps can drive a beat, isn't it? It's definitely worth mentioning that Skrillex did a remix...
"Save the World" Swedish House Mafia, Save the World single
Any list that talks about EDM has to include Swedish House Mafia - they are HUGE. This song is actually from last summer, but it still rocks. I love this song's simplicity, there's not really a whole lot of instruments going on. That simplicity is what gives it such a soaring feeling - it's refreshing. Imagine hearing this at a music festival on a hot summer night and having the band use one of those fancy machines that spits tiny ice chips into the air! This song is just meant to be played for a huge crowd, you can feel it. There's also an awesome remix of this song that definitely deserves to be mentioned, but it's best understood once you already know the original.
"Take Over Control" Afrojack, ft. Eva Simons. Take Over Control Single
This track touches on a subject that EDM often touches upon - transcendance. It's easy to guess what the lyrics are referring to when they talk about "taking over control," but there's always what Nile Rodgers calls the deeper hidden meaning. For me, this song is about meditation, or connecting to the universe, or connecting to spirit. It's about taking control over your life, and not just waiting for things to happen to you. And by taking control, by connecting to something larger than yourself, you can finally be all of who you really are. Now, I can see how some would feel like that's a bit of a stretch if there weren't SO MANY dance songs that touch upon this subject. Then when you combine the transcendant chord progressions with the idea of actual transcendance, it's ecstatic. Plug it in and turn me on, indeed!
"Timebomb" Kylie Minogue, Timebomb Single
Now Kylie is just coming off an amazing EDM album, Aphrodite. And since she just finished touring that record last year, I was surprised to find out there was new music. Buit it's just a lead single for a greatest hits. We'll have to be patient, but it's okay - this will tide us over. This track is a POP SONG, and it lets you know it means business from the moment it starts, there's no "let's take it slow and then ramp up" thing goin on here. It gets going. I will admit that when I first heard it, I wasn't sold but I found it fun enough to download for my gym mix. After a couple of listens, I was bumping it ALL THE TIME. Part of that is because it's catchy, but hey - I ain't exactly playing the bad shit that's catchy, now am I? I said earlier that this is a pop song, and I mean it in the best way. It's the best piece of candy I've heard in a while, and it talks about everyone's favorite feeling: meeting someone and becoming interested in them. "It's not the end of the world, it's just the start of me and you." I mean, come ON! Just enjoy the ride, suck on a lollipop and dance around your living room to this tonight.
"In the Air" Mogan Page + Sultan + Ned Shepard + BT, In the Air
This is another track that as soon as it starts, you know they mean bizness. The breathy vocals seem to call to the listener as if they were across a long distance. This track is a great example of a staple of EDM - lyrics that speak of feeling that something is about to change, something so palpable you can feel it. And this gets to the heart of what dance music is about in general, to raise people up. That's what dance is about, letting go of all that's holding you back in your life so you can move forward. And on those magical nights at the club or even in your living room, as you're dancing you are physically getting that tension out of your body and it feels good. That feeling of change is so powerful that you can feel it, In The Air.
[© MMXII MD TOTAL all rights reserved]
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